The term agon means "struggle" cf. An episode episodos , in Greek tragedy, is the part of the play between two choric songs. Since it is the equivalent to a unit of developed situation in modern theater, it is sometimes designated as a "scene," even though the Greek word skenos refers to a physical part of the theater itself.
The exodos is the part of a Greek drama that follows the last song of the Chorus. Compare the English word exodus, taken directly from Latin, meaning "departure. For terminology concerning the physical layout of the Greek theater, see Introduction to Greek Stagecraft at the Didaskalia site.
Xenophon, Memoirs , 2. If that is so, must not ingratitude be injustice pure and simple? He assented. Therefore the greater the benefits received the greater the injustice of not showing gratitude? He agreed again. Examples of use in the French literature, quotes and news about basileus. C'est parce que le nomos est Laurent Monsengwo, Laurent Monsengwo Pasinya, Jean-Claude Cheynet, Centre de recherche d'histoire et civilisation byzantines, Thus, if the basileus had any real power, it probably lay less in his technical ability to refuse a case at certain times than in his informal ability Porphyry, Luc Brisson, Umberto Eco, Oedipus describes his reign as a tyrannis and calls him a tyrannos at lines and The avoidance of basileus is, again, deliberate.
Sophocles has only Oedipus call Laius a king, and only once, just as he has Oedipus himself addressed as a king only once. Knox, who noticed the psychological implications here [], 89 , did not stress that this is the only other time the word appears in the play. In other words, he missed the dramatic implications. Once Oedipus has become the basileus he is by birth, he is not called tyrannos again. Nor is he called basileus again, because as Tiresias had predicted the moment of his recognition is also the moment of his destruction Over sixty years ago, Knox showed that tyrannos and basileus cannot be considered interchangeable in this play []: From the.
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